{"id":1541,"date":"2020-02-20T12:00:00","date_gmt":"2020-02-20T12:00:00","guid":{"rendered":"https:\/\/festivalulgellunaum.ro\/?p=1541"},"modified":"2021-02-22T21:51:40","modified_gmt":"2021-02-22T21:51:40","slug":"prezentarea-juriului-2020","status":"publish","type":"post","link":"https:\/\/festivalulgellunaum.ro\/?p=1541","title":{"rendered":"Prezentarea Juriului 2020"},"content":{"rendered":"\t\t
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S\u0103 \u00eei cunoa\u0219tem pe scriitorii care au jurizat crea\u021biile elevilor:\n<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\r\n\t\t\t\tAndrei Mocu\u021ba<\/a>\t\t\t<\/h3>\r\n\t\t<\/div>\r\n\t\t\t\t\t
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Andrei-Lucian Mocu\u021ba<\/span><\/em>\u00a0este poet, prozator, traduc\u0103tor, n\u0103scut \u00een Arad \u00een anul 1985. A ob\u021binut doctoratul \u00een Filologie la Universitatea de Vest din Timi\u0219oara. Este profesor de limba englez\u0103 \u0219i francez\u0103 \u00een ora\u0219ul Curtici. \u00a0\u00a0C\u0103r\u021bi publicate:\u00a0Povestiri din ad\u00e2nci tinere\u021bi\u00a0<\/em>(proz\u0103), Cartea Rom\u00e2neasc\u0103, 2006;\u00a0Porcilator\u00a0<\/em>(proz\u0103), Brumar, 2009;\u00a0Trei povestiri\u00a0<\/em>(proz\u0103), Mirador, 2010;\u00a0\u0218ercan<\/em>\u00a0(proz\u0103), Dacia, 2012;\u00a0Nu exist\u0103 cuvinte magice\u00a0<\/em>(versuri), Tracus Arte, 2013;\u00a0Portret al artistului in absentia. J.D. Salinger: o monografie<\/em>, Editura Universit\u0103\u021bii de Vest din Timi\u0219oara, 2015;\u00a0Literatura\u00a0<\/em>(proz\u0103), Tracus Arte, 2015;\u00a0Voi folosi \u00eentunericul drept c\u0103l\u0103uz\u0103\u00a0<\/em>(versuri), Cartea Rom\u00e2neasc\u0103, 2016;\u00a0Superman vs Salinger<\/em>\u00a0(proz\u0103), Paralela 45, 2018.\u00a0\u00a0<\/strong><\/p>

C\u0103r\u021bi traduse:\u00a0Richard Brautigan,\u00a0Ilustrat\u0103 din Chinatown\u00a0<\/em>(antologie poetic\u0103), Paralela 45, 2018.\u00a0\u00a0<\/strong><\/p>

\u201eCa \u015fi \u00een prozele scurte, Andrei Mocu\u0163a este un caligraf dotat cu sim\u0163 autoironic, cultivat \u015fi discret evocator de sentimente. Titlul volumului e de fapt titlul unei delicate erotice (\u2026) Poeziile lui Andrei Mocu\u0163a sunt ni\u015fte crochiuri lirice, desenate pe h\u00e2rtie cu v\u00e2rful unui creion bine ascu\u0163it. \u201eSunt mai u\u015foare dec\u00e2t visele\u201d, spune poetul \u00eensu\u015fi. Poemele barceloneze alc\u0103tuiesc un jurnal liric indirect, nelipsit de referin\u0163e culturale.\u201d (Nicolae Manolescu,\u00a0Poe\u021bi \u0219i critici<\/em>, \u00een \u201eRom\u00e2nia literar\u0103\u201d, nr. 38 \/ 2.09.2016) \u00a0<\/strong><\/p>

Premiu (premiu literar): \u201ePremiul publicului\u201d la Turnirul de poezie al Uniunii Scriitorilor din Rom\u00e2nia, desf\u0103\u0219urat la Balcic \u00een 2015. \u00a0<\/strong>
Este membru \u00een organiza\u021bia\/grupul (literare ar\u0103dene): membru al PEN Club Rom\u00e2nia \u0219i al Uniunii Scriitorilor din Rom\u00e2nia, filiala Arad. \u00a0 Participant \u00een evenimentul literar ar\u0103dean \u2013 conectare la \u00eenregistr\u0103rile separate ale evenimentelor literare ar\u0103dene: festivalul zile \u0219i seri de literatur\u0103 Doina\u0219 \u2013 Arad, colocviul na\u021bional al Revistelor de Cultur\u0103 din Rom\u00e2nia \u2013 Arad,\u00a0 festivalul de literatur\u0103 \u201eDiscu\u021bia secret\u0103\u201d \u2013 Arad, festivalul de literatur\u0103 \u201eDorel Sibii\u201d de la S\u0103v\u00e2r\u0219in, jud. Arad.<\/strong><\/p>

Feedback Critic<\/h1>

Unul dintre cele mai dificile, poate chiar imposibile, exerci\u021bii este s\u0103 dai not\u0103 unor poe\u021bi sau poezii. Dintre cei 20 elevi care au participat la concurs, 5 scriu o poezie foarte bun\u0103 \u0219i nu a\u0219 fi \u00een stare s\u0103 \u00eel premiez doar pe unul dintre ei dac\u0103 ar fi cazul. Aici intervine gustul fiec\u0103ruia \u0219i elevilor ar fi bine s\u0103 li se transmit\u0103 acest lucru, pentru a nu se descuraja cei perdan\u021bi. Nu exist\u0103 poezie bun\u0103 sau proast\u0103, ci doar cititori care au perceput-o \u00eentr-un anumit fel.<\/strong><\/p>

Sunt convins c\u0103 vor exista diferen\u021be uria\u0219e de notare ale unui text de la un membru al juriului la altul. Elevii s-au prezentat \u00een mare parte admirabil, cu texte mai bune dec\u00e2t ale multor poe\u021bi \u201econsacra\u021bi\u201d \u0219i publica\u021bi pe la edituri obscure. Poate cea mai frapant\u0103 observa\u021bie ar fi aceea c\u0103 nu exist\u0103 diferen\u021be notabile \u00eentre textele de gimnaziu \u0219i cele de liceu, ba din contr\u0103 cei mai mici s-au prezentat mai bine dec\u00e2t unii dintre colegii lor mai mari. O dovad\u0103 \u00een plus c\u0103 poezia nu are v\u00e2rst\u0103. A fost o real\u0103 pl\u0103cere s\u0103 fac parte din juriu \u0219i o experin\u021b\u0103 care m-a \u00eembog\u0103\u021bit pe mine, ca scriitor.<\/strong><\/p>

Felicit elevii \u0219i profesorii\/ profesoarele care i-au \u00eencurajat \u0219i \u00eendrumat s\u0103 scrie poezie! \u00a0<\/strong><\/p><\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\r\n\t\t\t\tMih\u00f3k Tam\u00e1s\u200b<\/a>\t\t\t<\/h3>\r\n\t\t<\/div>\r\n\t\t\t\t\t
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Mih\u00f3k Tam\u00e1s<\/span><\/em>\u00a0 (n. 1991) este poet bilingv (rom\u00e2n \u0219i maghiar), traduc\u0103tor literar, redactor de revist\u0103 \u0219i doctor \u00een Litere. A tradus cinci c\u0103r\u021bi din literatura rom\u00e2n\u0103 \u00een limba maghiar\u0103 \u0219i invers, respectiv a publicat patru volume de poezii:\u00a0\u0218antier \u00een rai<\/em>\u00a0(2013),\u00a0winrar de tot<\/em>\u00a0(2015),\u00a0cuticular<\/em>\u00a0(2017) \u0219i\u00a0cuticulum vitae<\/em>\u00a0(2017) \u2013 ultimul \u00een limba maghiar\u0103.<\/strong><\/p>

Este c\u00e2\u0219tig\u0103tor a mai multor premii literare, printre care\u00a0De-a\u0219 avea\u2026<\/em>\u00a0(2014, Familia) \u0219i\u00a0Kinde Annam\u00e1ria<\/em>\u00a0(2017, V\u00e1rad).<\/strong><\/p>

Este membru al Uniunii Scriitorilor Maghiari Tineri (FISZ).<\/strong>
\u00cen timpul liber, organizeaz\u0103 lans\u0103ri de carte. Poemele lui pot fi citite \u00een rom\u00e2n\u0103, maghiar\u0103, englez\u0103, francez\u0103, italian\u0103 \u0219i suedez\u0103.\u00a0\u00a0<\/strong><\/p>

Feedback Critic<\/h1>

\u00cen ciuda provenien\u021bei eterogene (de la nou\u0103 licee diferite din capital\u0103), mesajele poetice ale celor 20 elevi care au trimis \u00een acest an crea\u021bii literare \u00een versuri la Festivalul \u201eGellu Naum\u201d se \u00eent\u00e2lnesc cel pu\u021bin \u00eentr-un punct. Inegale valoric, mai degrab\u0103 scrise-n vers liber, dar c\u00e2teodat\u0103 activ\u00e2nd asonan\u021be aluzive \u0219i rime subtile, poeziile panorameaz\u0103 spiritul adolescentin al a\u0219a-numitei Genera\u021bii Z. Cu ecouri cinematografice \u0219i muzicale, dar \u0219i intertext livresc (Eminescu, Bacovia, Arghezi, Barbu, Dimov, C\u0103rt\u0103rescu etc.), cei mai tineri versificatori par s\u0103 re\u00eenvie dialogul \u00een poezie, fa\u021b\u0103 de fra\u021bii lor mai mari hiper-confesionali prin excelen\u021b\u0103, milenarii. \u00cen plus, cei care au acum v\u00e2rste cuprinse \u00eentre 14 \u0219i 19 ani comunic\u0103 pe re\u021belele de socializare cu o mai mare dexteritate dec\u00e2t reprezenta\u021bii Genera\u021biei Y, ei au crescut cu tehnologia informa\u021biei \u00een s\u00e2nge, motiv pentru care formele lor de expresie suprapun, uneori p\u00e2n\u0103 la confundare, planul realit\u0103\u021bii imediate cu planul realit\u0103\u021bii virtuale.<\/strong><\/p>

Altfel spus, ei nu cer vor s\u0103 le creasc\u0103-n suflet \u0219i nici stele-n os, asemeni lui Mircea Dinescu, ci cloudul de date. O experien\u021b\u0103 palpitant\u0103 dezlegarea acestei epistemologii, care va r\u0103m\u00e2ne deschis\u0103 pentru o vreme unei game largi de abord\u0103ri interdisciplinare.\u00a0\u00a0<\/strong><\/p>

\u00a0<\/p><\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\r\n\t\t\t\tDaniela Hendea<\/a>\t\t\t<\/h3>\r\n\t\t<\/div>\r\n\t\t\t\t\t
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Daniela Hendea<\/span><\/em>\u00a0este poet\u0103 \u0219i traduc\u0103toare. A debutat cu volumul de poeme\u00a0Acordor de teremin, editura Fractalia, 2018<\/em>, nominalizat la Premiul Na\u021bional de Poezie \u201eMihai Eminescu\u201d \u00een 2018, \u0219i la Premiile Sofia N\u0103dejde pentru literatura scris\u0103 de femei \u00een 2019. Poemele \u0219i traducerile ei au ap\u0103rut revistele literare\u00a0Familia, Apostrof, Ateneu, Echinox, Caiete Silvane<\/em>\u00a0(limba rom\u00e2n\u0103), \u00een\u00a0Asymptote Journal, Entropy Magazine<\/em>\u00a0(limba englez\u0103). Face parte din echipa redac\u021bional\u0103 a revistei\u00a0Pr\u0103v\u0103lia Cultural\u0103<\/em>. \u00a0<\/strong><\/p>

Feedback Critic<\/h1>

Elevii participan\u021bi la Festivalul de Poezie \u201eGellu Naum\u201d 2020 dovedesc din plin c\u0103 au instrumentele lingvistice necesare pentru a se deplasa cu u\u0219urin\u021b\u0103 pe firul \u00eentins dintre emo\u021bie \u0219i intelect.<\/strong><\/p>

Expresia lor poetic\u0103 deconspir\u0103 cu onestitate interiorul \u0219i exteriorul etapei din via\u021b\u0103 \u00een care se afl\u0103, contur\u00e2nd un vitraliu clar al genera\u021biei de poe\u021bi \u00een devenire. \u00a0 \u00a0<\/strong><\/p><\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\r\n\t\t\t\tOlga \u0218tefan<\/a>\t\t\t<\/h3>\r\n\t\t<\/div>\r\n\t\t\t\t\t
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Olga \u015etefan<\/span><\/em>\u00a0s-a n\u0103scut la data de 23 octombrie 1988, \u00een Hunedoara. \u00cen 2010 a absolvit Facultatea de Litere din Cluj-Napoca (sec\u0163iile \u201eLiteratur\u0103 universal\u0103 \u015fi comparat\u0103\u201d \u015fi \u201eLimba \u015fi literatura rom\u00e2n\u0103\u201d), iar \u00een 2012, programul masteral \u201eIstoria imaginilor-Istoria ideilor\u201d din cadrul aceleia\u015fi facult\u0103\u0163i.<\/strong><\/p>

A ob\u021binut titlul de doctor \u00een \u0218tiin\u021bele filologiei, elabor\u00e2nd, sub \u00eendrumarea profesorului dr. Corin Braga, lucrarea \u201eImagini vii, corpuri artificiale. Conceptul de simulacru \u0219i ipostaze ale copiei f\u0103r\u0103 referent\u201d.<\/strong><\/p>

\u00centre 2011 \u015fi 2016 a fost cercet\u0103tor \u00een cadrul grantului CNCSIS \u201eAntiutopii: A face \u015fi desface realitatea. Testarea lumilor posibile\u201d, iar \u00eentre 2012 \u0219i 2013 a lucrat ca redactor de carte. Este coautor al lucr\u0103rii \u201eMorfologia lumilor posibile. Utopie, antiutopie, science-fiction, fantasy\u201d (Editura Tracus Arte, 2015). Este, de asemenea, suplinitor cu note mari \u00eenc\u0103 din 2015 (situa\u021bie detaliat\u0103 \u00een articolul \u201eJurnalul unui an \u0219colar prost\u201d, ap\u0103rut \u00een primul volum al antologiei \u201eProf de rom\u00e2n\u0103\u201d, Editura Casa de Pariuri Literare, 2018).<\/strong><\/p>

A predat limba \u0219i literatura rom\u00e2n\u0103 \u00een diferite \u0219coli din Cluj-Napoca, dar \u0219i dintr-un ora\u0219 \u00eenvecinat. Anul \u0219colar 2019-2020 \u00eel petrece ca profesoar\u0103 la Liceul Teoretic \u201eMihai Eminescu\u201d. A \u00eenceput s\u0103 scrie poezie la v\u00e2rsta de 8 ani. \u00cen copil\u0103rie a publicat c\u00e2teva plachete pe care, ulterior, le-a renegat.\u00a0 Ca elev\u0103, a c\u00e2\u0219tigat majoritatea concursurilor de poezie dedicate tinerilor sub 18 ani \u0219i a ob\u021binut de dou\u0103 ori premiul I la Olimpiada Na\u021bional\u0103 \u0219i la Olimpiada Interna\u021bional\u0103 de Limba \u0219i literatura rom\u00e2n\u0103. A publicat poezie \u00een mai multe reviste literare (Tribuna, Steaua, Apostrof, Poesis International). Debutul s\u0103u asumat este volumul \u201eToate ceasurile\u201d (editura Vinea, 2006,\u00a0 distins, \u00een 2007, cu Marele Premiu \u201eTudor Arghezi\u201d). Acesta a fost urmat, la un deceniu distan\u021b\u0103, de \u201eSaturn, zeul\u201d (Editura Charmides, 2016) \u0219i \u201eCharles Dickens\u201d (Editura frACTalia, 2017, nominalizat, \u00een 2018, la sec\u021biunea Poezie a Premiilor \u201eSofia N\u0103dejde\u201d pentru literatur\u0103 scris\u0103 de femei). Selec\u021bii din poezia sa au fost\u00a0 traduse \u00een greac\u0103 \u0219i publicate \u00een \u201eAntologia tinerilor poe\u021bi\u201d (Editura Vakxikon, 2019).<\/strong><\/p>

Este, de asemenea, prezent\u0103 \u00een mai multe antologii publicate \u00een Rom\u00e2nia, \u00eentre care: \u201e#rezist. Poezia\u201d (Editura Paralela 45, 2017), \u201eTu, \u00eenainte de toate\u201d (Paralela 45, 2017), \u201eO sut\u0103 de ani de poezie rom\u00e2n\u0103 scris\u0103 de femei. 1990-2019\u201d (Editura Cartier, 2019), precum \u0219i \u00een volumul\u201ePostumanismul\u201d, coordonat de Alex Ciorogar, (frACTalia, 2019), cu un text despre emo\u021bia postuman\u0103. \u00cen curs de apari\u021bie la Editura Paralela 45: volumul de poezie \u201eCiviliza\u021bii\u201d. \u00a0<\/strong><\/p>

Feedback Critic<\/h1>

Citesc cu pl\u0103cere \u0219i curiozitate poezie t\u00e2n\u0103r\u0103 \u0219i foarte t\u00e2n\u0103r\u0103. Cred c\u0103, \u00een pofida inevitabilelor st\u00e2ng\u0103cii care contrapuncteaz\u0103 intui\u021biile surprinz\u0103toare ale copiilor \u0219i adolescen\u021bilor poe\u021bi, aici se d\u0103 ora exact\u0103: \u00een textele n\u0103valnice ori dimpotriv\u0103, retractile, create-n \u201ecreuzetele\u201d unor con\u0219tiin\u021be ludice ori chiar v\u0103dit suspicioase, \u00eent\u00e2lne\u0219ti germenii unor forme noi \u0219i \u00eentrevezi, \u00een egal\u0103 m\u0103sur\u0103, fisurile din paradigma actual\u0103.\u00a0<\/strong><\/p>

\u00cent\u00e2mplarea a f\u0103cut ca, \u00een ultimul an cel pu\u021bin, s\u0103 iau contact cu mai mul\u021bi autori foarte tineri, fie citindu-le textele \u00een calitate de jurat \u00a0\u00een cadrul unor concursuri literare dedicate lor, fie ca invitat la ateliere de scriere creativ\u0103. Astfel, \u00eencerc la r\u00e2ndul meu s\u0103 \u00een\u021beleg mai bine resorturile care \u00eel (mai) mi\u0219c\u0103 pe un t\u00e2n\u0103r autor de poezie. \u00a0\u00cen cazul aceastei genera\u021bii de 13-17 ani apreciez \u00een mod deosebit curajul. Sunt tineri ale c\u0103ror vocabulare mustesc de uzul \u0219i abuzul verbului \u201ea asuma\u201d. Nu epateaz\u0103, ci asum\u0103. Totodat\u0103, sunt u\u0219urat\u0103 s\u0103 constat c\u0103 ei \u0219tiu valoarea unui feedback onest:\u00a0 un text criticat nu este un text \u201eras\u201d sau \u201edistrus\u201d, ci un text perfectibil. Au disp\u0103rut modelele geniale. \u201eCopilul minune\u201d sau \u201emicul geniu\u201d nu mai \u00eencarneaz\u0103 arhetipuri dezirabile.<\/strong><\/p>

Sensibilitatea poetului t\u00e2n\u0103r din 2020 nu catastrofeaz\u0103. Vocea, constructul acesta cvasi-fic\u021bional, nu treneaz\u0103, nu z\u0103bove\u0219te \u00een marasmul unor st\u0103ri contraf\u0103cute, ci caut\u0103 solu\u021bii. Descop\u0103r adev\u0103rate pepiniere de poe\u021bi talenta\u021bi, siguri pe ei, care cunosc puterea cuvintelor \u0219i \u00eenva\u021b\u0103 nu s\u0103 le \u00eembl\u00e2nzeasc\u0103, ci s\u0103 le pun\u0103 \u00een slujba artei lor nu de pu\u021bine ori provocatoare.<\/strong><\/p>

Poeziile pe care le-am citit sunt scrise de pe o pozi\u021bie ferm\u0103: cunosc (intuitiv) pericolul manierismelor, evit\u0103 mimetismul. Par s\u0103 fi disp\u0103rut monumentele unor personalit\u0103\u021bi \u00eenchegate \u0219i fascinante. Nu mai reg\u0103sim at\u00e2t de mul\u021bi epigoni nichitast\u0103nescieni, nu ne mai lovim de ritmuri p\u0103unesciene. Tinerii poe\u021bi au un mesaj pe care vor s\u0103-l livreze eficient, nu o oglind\u0103 \u00een care s\u0103-\u0219i admire \u201estilul\u201d. Ei \u0219tiu c\u0103 v\u00e2rsta nu e o scuz\u0103 pentru a scrie del\u0103s\u0103tor\/prost \u0219i nici nu te poate \u00eempiedica s\u0103 scrii foarte bine. Exist\u0103 lejeritate \u0219i o lips\u0103 de inhibi\u021bii \u00een expunerea celor mai diverse (aproape kitsch) registre. Asta \u00eemi place. M\u0103 duce \u00eentr-o zon\u0103 vie, cu mult poten\u021bial.<\/strong><\/p>

Favoritele mele au fost acele grupaje \u00een care am reg\u0103sit deja schi\u021bele, sedimentele unui proiect cu b\u0103taie lung\u0103. Pentru mul\u021bi dintre participan\u021bi, poezia nu e un moft ori un capriciu, chiar dac\u0103 \u00eembrac\u0103 (aparent) haina teribilist\u0103 a experimentului.<\/strong><\/p>

Iar acest lucru e spectaculos \u0219i promi\u021b\u0103tor. \u00a0<\/strong><\/p><\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\r\n\t\t\t\tAndrei Zb\u00eernea<\/a>\t\t\t<\/h3>\r\n\t\t<\/div>\r\n\t\t\t\t\t
\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\/\r\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\r\n\t\t\t\t\r\n\t\t\t\t\t\t\t

Andrei Zb\u00eernea<\/span><\/em>\u00a0(n.1986, Urziceni) este absolvent al Masterului de Proba\u021biune din cadrul Facult\u0103\u0163ii de Sociologie \u0219i Asisten\u021b\u0103 Social\u0103 din Bucure\u0219ti. Este jurnalist, copywriter \u0219i scriitor.<\/strong><\/p>

Public\u0103 \u00een 2011 volumul de poeme Rock \u00een Praga (Herg Benet), urmat de #kazim (contemporani cu prim\u0103vara arab\u0103) la aceea\u0219i editur\u0103 \u00een 2014 \u0219i de Turneul Celor Cinci Na\u021biuni la frACTalia \u00een 2017. \u00cen toamna lui 2019, a lansat \u00eempreun\u0103 cu poetul danez Claus Ankersen volumul trilingv Pink Pong, (rom\u00e2n\u0103-englez\u0103-danez\u0103). Cartea a ap\u0103rut tot la frACTalia, beneficiind de traducerea Iuliei Stoichi\u021b, Danielei Micu \u0219i a lui Claus Ankersen.<\/strong><\/p>

Poeziile lui Andrei au fost publicate \u00een revistele literare: Zona Nou\u0103, Tiuk!, Zona Literar\u0103, Timpul, Poesis Interna\u021bional, Familia, Ramuri, Rom\u00e2nia Literar\u0103, Arca, Echinox, Pr\u0103v\u0103lia Cultural\u0103, Mozaicul, Literadura, Bucovina Literar\u0103 \u0219.a. A fost inclus \u00eentr-o serie de antologii, printre care amintim: Cele mai frumoase poeme din 2011 (Tracus Arte, 2012), Cele mai frumoase poezii ale anului (Adenium, 2014), Ziduri \u00eentre vii (Zona Publishers, 2015), #Rezist!Poezia (Paralela 45, 2017).\u00a0 \u00cen 2015, a ob\u021binut marele premiu al Festivalului Antares (Gala\u021bi, Br\u0103ila, Sulina) pentru poezie. A participat la mai multe festivaluri de literatur\u0103 din \u021bar\u0103, printre care amintim: Festivalul Gellu Naum (prima edi\u021bie, Bucure\u0219ti & Comana, 2016), Festivalul Zile \u0219i Seri de Literatur\u0103 Doina\u0219 SAD (Arad, 2019), FILIT Ia\u0219i (festival interna\u021bional, 2019). De asemenea, a sus\u021binut trei lecturi \u00een cadrul Clubului de Lectur\u0103 Institutul Blecher (2010, 2014, 2016). Portalul Iliteratura.cz a publicat \u00een 2018 prima traducere din poezia lui Andrei \u00een limba ceh\u0103, traducere realizat\u0103 de Mircea-Dan Du\u021b\u0103. Poeme ale autorului \u00een englez\u0103 (traducere de Vlad alui Gheorghe) au fost incluse \u00een antologia Balkan Poetry Today (2018, Marea Britanie). Editorul c\u0103r\u021bii a fost Tom Phillips. \u00cen august 2019, revista or\u0103dean\u0103 V\u00e1rad a publicat o traducere \u00een maghiar\u0103 a poemelor lui Andrei, \u00een t\u0103lm\u0103cirea lui Mih\u00f3k Tam\u00e1s. Andrei Zb\u00eernea particip\u0103 la organizarea serilor de performance poetic Blitz Show Revival (din 2015, \u00een Bucure\u0219ti) \u0219i modereaz\u0103 clubul de lectur\u0103 frACTal (din 2017, \u00een Bucure\u0219ti).<\/strong><\/p>

\u00cen toamna lui 2018, a demarat \u00eempreun\u0103 cu Revista de Povestiri & Club Revdepov un nou concept de atelier de poezie, intitulat\u00a0Mornin\u2019 Poets<\/em>. S-au adunat deja patru sezoane, 20 antrenori-poe\u021bi, mai bine de 40 de cursan\u021bi \u0219i dou\u0103 lecturi publice (una sub egida Institutului Blecher, februarie 2019 \u0219i cealalt\u0103 \u00een mod independent, decembrie 2019 la Beat Bar Club din Bucure\u0219ti). \u00a0Cel mai nou proiect editorial independent \u00een care este angrenat Andrei se nume\u0219te\u00a0Prog Notes<\/em>, prima revist\u0103 \u00een limba rom\u00e2n\u0103 dedicat\u0103 exclusiv rockului progresiv. (www.prognotes.ro).<\/strong><\/p>

Din martie 2020, ProgNotes are \u0219i un podcast pe Youtube. \u00cen ianuarie 2019, a fost speaker la prima edi\u021bie Berceni Summit, vorbind despre cum a cucerit poezia. Din februarie 2020 s-a al\u0103turat proiectului jurnalistic\u00a0realitatea.net<\/em>, unde public\u0103 \u0219i interviuri cu arti\u0219ti \u0219i oameni care fac diferen\u021ba \u00een comunit\u0103\u021bile lor. Le ve\u021bi g\u0103si reunite sub hashtagul #interviuripentrurealitate.<\/strong><\/p>

Este fan al echipei Borussia Dortmund. \u00a0<\/strong><\/p>

Feedback Critic<\/h1>

A fost o mare provocare pentru mine s\u0103 construiesc o echip\u0103 care s\u0103 poat\u0103 citi, analiza \u0219i, \u00een cele din urm\u0103, nota textele din Concursul \u201eGellu Naum\u201d. Am ales oameni care au contact cu t\u00e2n\u0103ra genera\u021bie, unii dintre ei fiind chiar profesori. Numai a\u0219a puteam s\u0103 \u00een\u021belegem care este mesajul pe care \u00eel poart\u0103 poeziile adolescen\u021bilor. Cu fiecare dintre ei am lucrat \u00een diverse proiecte (Mornin\u2019 Poets, Clubul de lectur\u0103 frACTal, Festivalul de Literatur\u0103 Zile \u0219i Seri Doina\u0219 de la Arad). Am \u00eencredere \u00een spiritul critic, dar \u0219i \u00een talentul de\u00a0scouter poetic<\/em>\u00a0al Olg\u0103i \u0218tefan, Danielei Hendea, lui Andrei Mocu\u021ba \u0219i al lui Mih\u00f3k Tam\u00e1s. Aceast\u0103 formul\u0103 de juriu ar putea func\u021biona \u0219i cu alte ocazii \u0219i m\u0103 bucur c\u0103 am reu\u0219it s\u0103 pun pe tabl\u0103 aceast\u0103 ecua\u021bie alchimic\u0103, pe care am adus-o la lumin\u0103 sub forma acestui cvintet. \u00a0\u00a0<\/em><\/strong><\/p>

Revenind la textele pe care le-am citit (liceu \u0219i gimnaziu), \u00eemi place s\u0103 cred c\u0103 po\u021bi evolua \u00een poezie (ca \u0219i \u00een orice alt domeniu) dac\u0103 renun\u021bi \u00een primul r\u00e2nd la ideea c\u0103 e\u0219ti genial. Arthur Rimbaud nu va fi clonat foarte cur\u00e2nd, asta v\u0103 garantez. \u0218i oricum, sosia lui nu va avea nici pe departe nici substan\u021ba \u0219i nici alonja poetului francez. \u00cen plus, ideea c\u0103 poezia \u00eenseamn\u0103 doar inspira\u021bie de natur\u0103 celest\u0103, nu \u00eei poate ajuta pe tinerii poe\u021bi pe termen mediu \u0219i lung. De\u0219i poate p\u0103rea un cli\u0219eu, voi spune c\u0103 e nevoie de 99% lecturi \u0219i munc\u0103 pe text. Sclipirea vine \u00een por\u021bii mici \u0219i, de cele mai multe ori, nu se poate vedea dec\u00e2t sub un microscop de ultim\u0103 genera\u021bie. Tehnica e \u0219i ea la fel de important\u0103 (poate chiar mai important\u0103 uneori) precum imaginile memorabile dintr-o poezie.<\/strong><\/p>

Am g\u0103sit multe influen\u021be \u00een textele participan\u021bilor \u0219i asta m-a bucurat peste m\u0103sur\u0103. Nu doar poezie. Nu doar poezie rom\u00e2neasc\u0103. Nu doar poezie rom\u00e2neasc\u0103 canonizat\u0103. Amestecul artelor sau al activit\u0103\u021bilor mundane \u00een poezie poate avea efecte miraculoase. \u0218i aici intervine scountingul poetic, care pune degetul pe pulsa\u021biile poetice. \u00cen speran\u021ba c\u0103 vom putea repeta (\u00een aceea\u0219i formul\u0103 de juriu) experien\u021ba Concursului \u201eGellu Naum\u201d, v\u0103 lansez dragi poe\u021bi \u0219i poete un \u00eendemn poetic de la trupa byron:<\/strong><\/p>

\u00cencearc\u0103 s\u0103 vorbe\u0219ti mereu alt grai<\/em><\/strong><\/p>

\u00cenchide-m\u0103 pe veci \u00eentr-un muzeu<\/em>\u00a0\u00a0<\/strong><\/p><\/div>\r\n\t\t\t\t\t<\/div>\r\n\t\t<\/div>\r\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

S\u0103 \u00eei cunoa\u0219tem pe scriitorii care au jurizat crea\u021biile elevilor: Andrei Mocu\u021ba Andrei-Lucian Mocu\u021ba este poet, prozator, traduc\u0103tor, n\u0103scut \u00een Arad \u00een anul 1985. A…<\/p>\n","protected":false},"author":1,"featured_media":1915,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-1541","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-editia-2020"],"yoast_head":"\nPrezentarea Juriului 2020 - Festivalul National de Poezie "Gellu Naum"<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/festivalulgellunaum.ro\/?p=1541\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prezentarea Juriului 2020 - Festivalul National de Poezie "Gellu Naum"\" \/>\n<meta property=\"og:description\" content=\"S\u0103 \u00eei cunoa\u0219tem pe scriitorii care au jurizat crea\u021biile elevilor: Andrei Mocu\u021ba Andrei-Lucian Mocu\u021ba este poet, prozator, traduc\u0103tor, n\u0103scut \u00een Arad \u00een anul 1985. 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